adopt and adapt to | | various personas. The constant switching requires split-second skill as, within a moment, the characters change...Lin, adapting one accent or vocal tone after another, fully triumphs. Each is versatile, animated, and ever-active...[They] cavort and adjust their postures accordingly as their roles demand malleability...This requires actors who are not only fast on their feet but also instantaneous in their reactions to the moment. Pliability carries the day."
 | | Fred Sokol, Talkin' Broadway
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"[Countryman]...joined by two other equally |
| | entrancing players, Angela Lin and Jeff Biehl. Gleefully they assume a multitude of roles, among them Louis' over-protective mother, the sea captain, Bruno the dog, a giant octopus, Louis' aboriginal wife...and makers of sound and lighting effects in plain view of the audience."
 | | Susan Hood, The Hartford Courant
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"Countryman’s two supporting actors — the exquisite |
| | Angela Lin and Jeff Biehl — play a series of characters on short notice and with simple costume changes."
 | | E. Kyle Minor, New Haven Register
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"The acting is as consistent as it is superior. |
| | [Countryman] is accompanied by Angela Lin's inspired performance..."
 | | Joanne Greco Rochman, Republican- | | | American
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"Along the way, one is treated to a superb show and an absorbing story—thanks, not only to [Donald] Margulies, but to the three enormously gifted performers... Angela Lin, who plays numerous roles, is every bit [Countryman's] equal. Lin, in a flash, changes from male to female, young maiden to old crone. "
 | | Irene Backalenick, nytheatrescene.com
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"As a boy, [deRougemont] is tied ever so tightly to his |
| | mother, young and old, played beautifully by Angela Lin, who is also the crazy sea captain, and his wife, and many other characters."
 | | Rosalind Friedman, WMNR 88.1 FM
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"Accompanying [deRougemont] on his quest are the |
| | versatile Angela Lin and Jeff Biehl, who play everyone from Australian aborigines to adoring fans to caustic critics, faithful wife to the Queen of England."
 | | Bonnie Goldberg, Middletown Press | | | |
SAKE with the HAIKU GEISHA Gotham Stage, NYC
"The actors in Japanese roles bring the most nuance to the material...Lin gives the Geisha's mother, a factory worker saddled with an unwanted pregnancy, spunk and backbone when she could have opted for bland passivity."
 | | Mark Blankenship,
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"...[Sumiko] Matsushita, a young woman, |
| | played heartbreakingly by Angela Lin..."
 | | Andrew Propst, American Theater Web
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"Angela Lin is engaging as the Haiku Geisha |
| | and [Sumiko]."
 | | Adam Klasfeld, TheaterMania
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"In Randall David Cook's compelling and jolting |
| | drama...we meet a geisha (Angela Lin)...She moves with power and conviction, performing a graceful dance that ends as suddenly as it begins. Facing the audience, she hunches her shoulders, sheds her robe, and stands before us in a starched white shirt and stiff black business skirt. It is here that her heartrending story begins...where the mysterious geisha boldly bares her soul."
 | | Adrienne Cea, offoffonline.com
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"The cast is uniformly quite good, my |
| | particular favorites being the unnaturally natural Fiona Gallagher and the fragile Angela Lin in the title role."
 | | Morgan Wycks, nyconstage.org | | | |
METAMORPHOSES Pioneer Theatre Company
“Plunge into PTC's playful, poignant Metamorphoses... Each of the ten cast members play a handful of characters and narrators. Standouts include Angela Lin, whose anguish as Alcyone is searing.”
 | | Brandon Griggs, Salt Lake Tribune | | | |
TWELFTH NIGHT Co-production: Cincinnati Playhouse in the Park & The Repertory Theatre of St. Louis
“Cincinnati Playhouse in the Park is living up to its Tony Award for Regional Theatre with season opener Twelfth Night...Twelfth Night is breathtaking!…Lin commands her spot on the paved stage… [She] is a fine Viola, giving her heart and mind.”
 | | Jackie Demaline, Cincinnati Enquirer
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“Angela Lin delivers the finest performance as |
| | the pragmatic Viola…”
 | | Mark Bretz, KDHX-FM St. Louis
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“Angela Lin is outstanding in the role of Viola. |
| | She tears into her demanding role with a vigor and passion rarely seen…She gives her role charisma, vulnerability, and intelligence. She most impressed me with...her excellent comedic timing."
 | | Jim Campbell, Playback St. Louis
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“Leading the way is Angela Lin as Viola. Her |
| | tart yet tender portrayal is simply captivating.”
 | | Steve Allen, KFUO-FM St. Louis
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“Playhouse opens with a winner…Lin, who sweetly |
| | underplays throughout, is wonderful!”
 | | Jerry Stein, Cincinnati Post
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“Angela Lin is marvelous...As Viola, Lin |
| | matches [Olivia's] deeply felt emotions and energy, shining brightly in the reunion scene with Sebastian; her raw joy is achingly real.”
 | | Deanna Jent, Riverfront Times
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“Lin's steady, poised performance turns the |
| | play's most deceptive character into its most reliable one.”
 | | Judith Newmark, St. Louis Post-Dispatch
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“The storm-separated [character is] played to |
| | the hilt by Angela Lin as Viola...”
 | | Joe Pollack, KWMU-FM St. Louis | | | |
A CHRISTMAS CAROL McCarter Theatre
"Angela Lin is so winning as [Scrooge's] lost love that Scrooge looks doubly foolish for ditching her."
 | | Peter Filichia, The Star-Ledger
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"...Wonderful people such as Fred's |
| | new wife Lily (Angela Lin, who's also a poignant Belle, the girl Scrooge loses in his quest for riches) seem to think Scrooge may not be as far from the path of goodness as he is sometimes portrayed."
 | | Ted Otten, The Times | | | |
CORAM BOY Broadway's Imperial Theatre, NYC
"Director Melly Still's triumphant production, a hit at London's National Theatre, is stuffed to the gills: with alchemic stagecraft, nightmarish evil, and transcendent beauty ... a boisterous and unfashionably earnest tear- jerker. They certainly don't make them like this anymore. I'm not sure they ever did....An earlier scene in which an inconsolable mother (Angela Lin) abandons her newborn girl, followed by the protracted depiction of the baby's ghastly fate, is as uncompromising an image of evil as you'll find on stage."
 | | Eric Grode, The New York Sun | | | |
w. Sala Iwamatsu
w. Michael Countryman
"Among the seven cast members, Fiona Gallagher brings a free, comic but touching ferocity to her role as [Brianna], David Shih is a commanding but complex presence as the Japanese host, and Angela Lin makes a most mysterious impression as the title role."
 | | George Hunka, | | | |
"[Charles] Morey's cast delivers some memorable performances...Angela Lin shines as Alcyone."
 | | Ivan M. Lincoln, Deseret Morning News | | | |
"...the multi-talented Angela Lin and Jeff Biehl, both of whom...are called upon to create a gallery of characters...It is Lin and Biehl who steal the show, for both are extremely adept at seamlessly shifting from one character to the next. At various times during the show, Lin plays DeRougemont's mother, a cannibal maiden..., a warring tribe (yes, a tribe!) of aborigines, a salty sea captain and a self-important publisher."
 | | Geary Danihy, Brooks Community | | | Newspapers
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Photo by Joan Marcus
Photos by T. Charles Erickson
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Photos by David Gochfeld
Photos by Sandy Underwood
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Photos by T. Charles Erickson
Photo by Paolo Andino
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